Art consultant to corporations, schools, universities, artists, professionals, collectors and estate beneficiaries for purposes of acquiring, managing, disposing of, protecting and framing of fine art objects and collections.

Consultant to Rochester Institute of Technology, School for American Crafts metal bench competition. Benches for a city park.

Coordinator of the Xerox Archival Project.

Conference Chair, National Association of Woman Business Owners, the Girl Scouts of Genesee Valley and An Income of Her Own.

Administrator of Women's Art Works 7, National competition for women artists, sponsored by Bausch & Lomb.

Advisor to the City of Rochester, public art competition for the Gateway Pavilion.

Curator of the Gallery at One Bausch & Lomb Place, Rochester, New York. Four exhibitions per year.

Consultant to the Jewish Home Foundation. Sculpture competition for the Atkin Adult Day Health Center.

Chair of Rochester Women's Network ~ Awards Committee.

Board member, National Association of Women Business Owners (NAWBO).

Art Administrator of Bausch & Lomb art collection and archival project.

Chair, Monroe County Public Art Committee. Art selection for the new airport.

Curated exhibition of the Columbia Banking collection. Wrote accompanying catalogue. Delivered opening lecture. Rochester, Elmira, and Penn Yan, New York.

President of the Board, Arts For Greater Rochester. Monroe County Arts Council.
1987-1989 Vice President for Programs, Arts For Greater Rochester. Responsible for the strategic plan, future planning, and current programs.

Principal in the Western New York Print Fair, an annual January event where nationally known print dealers exhibit at the Wilson Arts Center, Harley School, Rochester, New York. Responsible for art selection and arrangements for print exhibition accompanying the fair each year.

Founding member of Rochester Association of Art Dealers. Past President and board member.

Gallery Director, Artworks at Sibley's.

Art exhibition Judge for museum shows, art groups, art community exhibitions.

Lecturer to museum audiences and to other organizations on art-related topics.

Assistant to Robert Henning, Memorial Art Gallery, for the cataloguing of prints in the museum print room.

Chair, Lending and Sales Gallery, Memorial Art Gallery. Responsible for the selection of art for ten exhibitions per year and for art consigned to Gallery members and for public sale.

Member, Board of Managers, Memorial Art Gallery.

Docent, Memorial Art Gallery. Responsible for interpretation of the collection at all educational levels. Docent Emeritus status at present.

Collector of l9th- and 20-century European and American prints. Developed extensive personal research library.

October 1998

Top Woman Business Owner of the Year Award for Community. National Association of Women Business owners, Rochester Chapter.

Brighton Chamber of Commerce volunteer award.

Greater Rochester Metro Chamber of Commerce Civic Award for Culture and Arts.

1976 - 1979

University of Rochester, Rochester, New York - M.S. in Humanities. Studied the art and culture of l9th- and 20th-century Germany; worked extensively in museum print collection.

Nazareth College, Rochester, New York - German Language Studies.

Cornell University, Ithaca, New York - B.S.

June 1992

Organized exhibition of the prints of Hermann Katelhon for the Lockhart Gallery, Memorial Art Gallery.

Organized exhibition of the prints of Howard Hodgkin in collaboration with the Oxford Gallery, Rochester, New York.

Organized the exhibition and wrote the catalogue entitled Expressionism and Neo-Expressionism Graphics: The Inner Vision. Wilson Arts Center, Rochester, New York.

Organized an exhibition of prints by Kathe Kollwitz at the University of Rochester. Wrote detailed catalogue entitled Prints for the German People involving research in the print cabinets of Dresden, Berlin, and Stuttgart.

Research for the Northeast American Society for Eighteenth-Century Studies exhibition at the University of Rochester. Wrote catalogue essay: "The Graphic Art of Eighteenth Century."

Curatorial aide to Dr. Bruce Chambers, Memorial Art Gallery, for special print research. Conducted independent study to research large collection of prints of unknown origin.

Master's thesis "Max Klinger: A German Symbolist." Special study at Cornell University under Professor Peter B. Kahn.